Working alongside the powerhouse team at The Mill, I helped bring the technical evolution of the Adidas 4DFWD to life. This project focused on the "inner workings" of the world's first 3D-printed midsole, showing how its unique lattice structure transforms vertical impact into forward propulsion.

My primary focus was the ‘Running Man’ sequence, where I blended technical accuracy with high-end aesthetics. I also provided general motion design and graphic support throughout the film to ensure the "coded for forward motion" concept felt seamless and futuristic.